The Gods of Newport (Signet Novel) Review

The Gods of Newport (Signet Novel)
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A master of historical fiction has given us yet another engaging storyline, this time set just before the turn of the last century.
At its core is Sam Drubermann of Ohio, who worked his way up through the ranks of railroad barons and above-the-law capitalists to become one of the exalted, the upper crust of American society. Changing his last name to Driver to escape some past nastiness, Sam vows to live by a quote he once saw posted in Jay Gould's office: "Never let them get the best of you." To clear his dead wife's name and to establish a legacy for his daughter Jenny, Sam commissions a 20-room cottage to be built at the summer playground of the elite: Newport, Rhode Island. Jenny is intrigued by the promise of being accepted in such a world, but her head is simultaneously turned by a common Irish boy named Prince Molloy. Sam attempts to thwart any relationship between Jenny and Prince, preferring his daughter to marry someone more respectable, like architect Dickie Glossop or Russian emigrant Count Ismail Orlov, an antique dealer. And Sam must also continually deal with the machinations of his old nemesis, William King Brady III. Newport society itself is a main character here. A symbol of decadence and opulence, the coastal town was a place where the "swells" could go to be amongst themselves; a place where the attention of a good woman could be won or lost over the outcome of a tennis match, and where passing another lady's carriage out of turn could be considered the most unforgivable of social gaffes. Even as Sam gets himself and Jenny more firmly enmeshed in Newport, he experiences disturbing and metaphoric nightmares. Is this level of life truly worth the cost?
The title of the book comes from the admonishment of Jenny's Grandfather Penny, who warned her about the dangers of disobeying the First Commandment: "Thou shalt have no other gods before me." It takes a while for Jenny to realize that Newport offers several such gods disguised as the trappings of high society: namely money, fashion, and reputation. Both she and her father learn a lot about class, about appearances, and about themselves by the close of the book.
"The Gods of Newport" is among Jakes' better novels, combining just the right amount of historical reality and ficticious invention. It provides not only entertainment, but much food for thought. Why are we still in awe of the rich and famous? Would any of us really want to trade places with someone in the upper class? Perhaps Sam Driver would have done well to heed another familiar saying: Be careful what you wish for.

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