Rainbow Quest: The Folk Music Revival and American Society, 1940-1970 (Culture, Politics, and Cold War) Review

Rainbow Quest: The Folk Music Revival and American Society, 1940-1970 (Culture, Politics, and Cold War)
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Rainbow Quest: The Folk Music Revival & American Society, 1940-1970 by Ronald D. Cohen (Professor of History, Indiana University Northwest) is a remarkably informative historical survey and commentary of the phenomena of folk music's mass audience appeal as represented by concerts and album sales from such luminaries as Joan Baez, Bob Dylan, Peter, Paul and Mary, Burl Ives, Woody Guthrie, The Kingston Trio, The Weavers, and scores of others. Originally centered in New York's Greenwich Village and sustained by a robust record industry, this revival of folk music through the 1950s and culminating in the mid-1960s when it was overtaken by "The British Invasion" and the dominence of Rock 'n Roll. Still, those glory years of folk music popularity have left an astonishing musical legacy that still reverberates within the American culture. Rainbow Quest is a seminal, core addition to any 20th Century American Music History reference collection and supplemental reading list.

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For a brief period from the late 1950s to the mid-1960s, folk music captured a mass audience in the United States, as college students and others swarmed to concerts by the likes of Peter, Paul & Mary, Joan Baez, and Bob Dylan. In this comprehensive study, Ronald D. Cohen reconstructs the history of this singular cultural moment, tracing its origins to the early decades of the twentieth century.Drawing on scores of interviews and numerous manuscript collections, as well as his own extensive files, Cohen shows how a broad range of traditions -- from hillbilly, gospel, blues, and sea shanties to cowboy, ethnic, and political protest music -- all contributed to the genre known as folk. He documents the crucial work of John Lomax and other collectors who, with the assistance of recording companies, preserved and distributed folk music in the 1920s. During the 1930s and 1940s, the emergence of left-wing politics and the rise of the commercial music marketplace helped to stimulate wider interest in folk music. Stars emerged, such as Woody Guthrie, Leadbelly, Pete Seeger, Burl Ives, and Josh White. With the success of the Weavers and the Kingston Trio in the 1950s, the stage was set for the full-blown "folk revival" of the early 1960s.Centered in New York's Greenwich Village and sustained by a flourishing record industry, the revival spread to college campuses and communities across the country. It included a wide array of performers and a supporting cast of journalists, club owners, record company executives, political activists, managers, and organizers. By 1965 the boom had passed its peak, as rock and roll came to dominate the marketplace, but the folk revival left an enduring musical legacy in American culture.--This text refers to the Hardcover edition.

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