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(More customer reviews)R. Serge Denisoff, editor of Popular Music and Society, called this oral history seriously flawed, noting that the persons quoted are not always properly identified, and their statements (at least one of them wrong) are occasionally presented unquoted, as fact. My own gripe, which applies to so many miserable books on popular music, is: Here's a wonderful, rich account, chock-full of hundreds of names, and no index to let ya locate 'em again. Nevertheless, for any folkie, it's an absolute must-have, which defrosts the legendary goings-on behind the Cambridge, MA folk scene of the '50s and '60s, written by one of the hoariest veterans of the era. The jam-packed, previously unpublished photos are alone worth the price, and their captions are creative ditties. And, if that wispy, natural, 1960's brand of beauty -- facial, bodily, and musical -- affect you viscerally, get ready to be re-affected.
Click Here to see more reviews about: Baby, Let Me Follow You Down: The Illustrated Story of the Cambridge Folk Years
Long out of print, Baby, Let Me Follow You Down is a classic in the history of American popular culture. The book tells the story of the folk music community in Cambridge, Massachusetts, from its beginnings in living rooms and Harvard Square coffeehouses in the late 1950s to the heyday of the folk music revival in the early 1960s. Hundreds of historical photographs, rescreened for this edition, and dozens of interviews combine to re-create the years when Joan Baez, Bob Dylan, and a lively band of Cambridge folksingers led a generation in the rediscovery of American folk music. Compiled by two musicians who were active participants in the Cambridge folk scene, the volume documents a special time in United States culture when the honesty and vitality of traditional folk music were combined with the raw power of urban blues and the high energy of electric rock and roll to create a new American popular music.
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