The American Resting Place: 400 Years of History Through Our Cemeteries and Burial Grounds Review

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(More customer reviews)"Where do you bury?" This question at the end of the first chapter of Marilyn Yalom's The American Resting Place epitomizes this readable, thought-provoking narrative. It is one of hundreds of tidbits of observation, research, and lore that together make this book a bracing feast of cultural history, and more. Yalom's deep compassion for the human condition is leavened with spritely curiosity, sharp intelligence, and understated humor. And that's just the text. The American Resting Place offers readers an extraordinary visual and tactile bonus in the beautiful photographs by Reid Yalom. These black-and-white prints, reproduced in high-quality, glossy plates, at once illustrate the text and stand alone as chiaroscuro masterworks of past and present, life and death, irony and hope.
Like the best cultural historians, Yalom finds the universe in a grain of sand - from the ancient mounds of Native Americans to Ground Zero. In between, we are taken on a strange yet satisfyingly concatenated journey that spans four centuries of American history, one grounded, necessarily, in geography. We hopscotch with the Conquistadores from Florida to New Mexico. Through the burial customs employed - tombstones or not, permanent graves or lost bodies - we experience great waves of history, famine and plenty, natural disasters, catastrophic epidemics, the dominions and disappearances of different religions. In one burial ground in Charleston, Yalom describes stones marking the graves of Jews of a strict Orthodox Sephardic tradition that, strange to think, included veterans of the Revolutionary, 1812, and Civil Wars. Strong as is that Jewish tradition, it is muddled by secular and Christian funerary motifs. Similarly, Christian and African iconography decorates graves in rural Georgia.
Yalom's background as an art historian turns seeming miscellany into keys to whole, buried cultures. More often than not, cultural contrasts erupt around the ways we treat our dead. Yalom highlights this irony with poignancy - the dead of different faiths, races, and eras are all at rest. It is the ways the restless living strive to ameliorate pain and passage into the unknown that make the American cemetery a fascinating historical record, and in the hands of a writer like Yalom, a delightful read.


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