Showing posts with label folk. Show all posts
Showing posts with label folk. Show all posts

Folk Music: The Basics Review

Folk Music: The Basics
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Ronald D. Cohen's The Basics: Folk Music comes from a history professor who uses scholarship and analysis from the most recent scholarly writings to contrast all kind of folk music, from local and traditional to professionals performing during the folk revival period. From record labels and producers to performers, genres and issues, college-level students will appreciate this detailed history-based survey.


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Folk Music: The Basics gives a brief introduction to British and American folk music. Drawing upon the most recent and relevant scholarship, it will focus on comparing and contrasting the historical nature of the three aspects of understanding folk music: traditional, local performers; professional collectors; and the advent of professional performers in the twentieth century during the so-called "folk revival." The two sides of the folk tradition will be examined--both as popular and commercial expressions. Folk Music: The Basics serves as an excellent introduction to the players, the music, and the styles that make folk music an enduring and well-loved musical style. Throughout, sidebars offer studies of key folk performers, record labels, and related issues to place the general discussion in context.

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Rainbow Quest: The Folk Music Revival and American Society, 1940-1970 (Culture, Politics, and Cold War) Review

Rainbow Quest: The Folk Music Revival and American Society, 1940-1970 (Culture, Politics, and Cold War)
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Rainbow Quest: The Folk Music Revival & American Society, 1940-1970 by Ronald D. Cohen (Professor of History, Indiana University Northwest) is a remarkably informative historical survey and commentary of the phenomena of folk music's mass audience appeal as represented by concerts and album sales from such luminaries as Joan Baez, Bob Dylan, Peter, Paul and Mary, Burl Ives, Woody Guthrie, The Kingston Trio, The Weavers, and scores of others. Originally centered in New York's Greenwich Village and sustained by a robust record industry, this revival of folk music through the 1950s and culminating in the mid-1960s when it was overtaken by "The British Invasion" and the dominence of Rock 'n Roll. Still, those glory years of folk music popularity have left an astonishing musical legacy that still reverberates within the American culture. Rainbow Quest is a seminal, core addition to any 20th Century American Music History reference collection and supplemental reading list.

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For a brief period from the late 1950s to the mid-1960s, folk music captured a mass audience in the United States, as college students and others swarmed to concerts by the likes of Peter, Paul & Mary, Joan Baez, and Bob Dylan. In this comprehensive study, Ronald D. Cohen reconstructs the history of this singular cultural moment, tracing its origins to the early decades of the twentieth century.Drawing on scores of interviews and numerous manuscript collections, as well as his own extensive files, Cohen shows how a broad range of traditions -- from hillbilly, gospel, blues, and sea shanties to cowboy, ethnic, and political protest music -- all contributed to the genre known as folk. He documents the crucial work of John Lomax and other collectors who, with the assistance of recording companies, preserved and distributed folk music in the 1920s. During the 1930s and 1940s, the emergence of left-wing politics and the rise of the commercial music marketplace helped to stimulate wider interest in folk music. Stars emerged, such as Woody Guthrie, Leadbelly, Pete Seeger, Burl Ives, and Josh White. With the success of the Weavers and the Kingston Trio in the 1950s, the stage was set for the full-blown "folk revival" of the early 1960s.Centered in New York's Greenwich Village and sustained by a flourishing record industry, the revival spread to college campuses and communities across the country. It included a wide array of performers and a supporting cast of journalists, club owners, record company executives, political activists, managers, and organizers. By 1965 the boom had passed its peak, as rock and roll came to dominate the marketplace, but the folk revival left an enduring musical legacy in American culture.--This text refers to the Hardcover edition.

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Baby, Let Me Follow You Down: The Illustrated Story of the Cambridge Folk Years Review

Baby, Let Me Follow You Down: The Illustrated Story of the Cambridge Folk Years
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R. Serge Denisoff, editor of Popular Music and Society, called this oral history seriously flawed, noting that the persons quoted are not always properly identified, and their statements (at least one of them wrong) are occasionally presented unquoted, as fact. My own gripe, which applies to so many miserable books on popular music, is: Here's a wonderful, rich account, chock-full of hundreds of names, and no index to let ya locate 'em again. Nevertheless, for any folkie, it's an absolute must-have, which defrosts the legendary goings-on behind the Cambridge, MA folk scene of the '50s and '60s, written by one of the hoariest veterans of the era. The jam-packed, previously unpublished photos are alone worth the price, and their captions are creative ditties. And, if that wispy, natural, 1960's brand of beauty -- facial, bodily, and musical -- affect you viscerally, get ready to be re-affected.

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Long out of print, Baby, Let Me Follow You Down is a classic in the history of American popular culture. The book tells the story of the folk music community in Cambridge, Massachusetts, from its beginnings in living rooms and Harvard Square coffeehouses in the late 1950s to the heyday of the folk music revival in the early 1960s. Hundreds of historical photographs, rescreened for this edition, and dozens of interviews combine to re-create the years when Joan Baez, Bob Dylan, and a lively band of Cambridge folksingers led a generation in the rediscovery of American folk music. Compiled by two musicians who were active participants in the Cambridge folk scene, the volume documents a special time in United States culture when the honesty and vitality of traditional folk music were combined with the raw power of urban blues and the high energy of electric rock and roll to create a new American popular music.

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